Sakleshpura - Majarabad Fort; Southadka- Ganapathi, Ujire-Surya Temple, Gadaikallu Farm House

1. Bangalore - Sakleshpura (Donigal)- Manjarabad Fort

Started from Bangalore by own car with driver around 6 AM on 02nd October, this place Donigal, Sakleshpura is around 233kms from Bangalore takes around 3.5hrs. But for us since we took 2 stops inbetween around 2hrs for breakfast & activting my car fastag, we reached there only by around 1PM.

* Started from Bangalore - 6AM (Sompura NICE Road to Nelamangala via Madavara)

* Breakfast @ A2B-Kirisave (163kms)- 11AM (5hrs)

* Dongal -Manjarabad Fort -1:15 PM (7.25 hrs)

Tipu Sultan built the fort in 1792 at a time when he was establishing his sovereignty over Mysore, fighting against other South Indian dynasties. The Sultan wanted to make the highway between Mangalore and Coorg secure for his expansion programs. Because he was allied with the French at that time against the British, he sought the help of French engineers to build a star fort of the European style. The completed fort was inspected by Tipu Sultan who then found it enveloped in fog and hence named it as Manjarabad fort; the name Manjara is a Persian version of 'Manzar' meaning "Scene" which makes Manjarabad as "The city of Scenes or Scenic City".

The fort, as built and existing, is an eight-pointed star. The external walls of the fort have been built with granite stones and lime mortar while the interior buildings, which accommodate army barracks, armoury, stores and others, have been built with fired bricks. Apart from these, two cellars were built next to a deep well (Plus Sign)which were underground structures used to store gunpowder and these rooms remained cool even during summer months. On a clear day, even the Arabian sea can also be seen from the fort.

1. Entrance to the Fort, have some good 250 steps to go up, get the entrance to Fort & a storey up is the Star Shaped Fort center.

3. Plus Sign Deep Well in olden days collect water for Fort gaurds.

4. On a clear day, even the Arabian sea can also be seen from the fort.

2. Kukke Subrhamanya to Dharmasthala on the way - Southadka - Shree Maha Ganapathi Temple.

* Started Kukke Subrahmana around 9AM

* Reached Southadka around 10:20 AM (1.5 hr - 47Kms) - Shree Maha Ganapathi Temple.

 

Dieties: Shree Mahagapathi with MahaVishu and Shiva on either side.

Sowthadka Mahaganapathi was Formerly Planted by the Cow herds. they used to bring cucumbers to eat when they came there with engaging their works. The cucumbers that were bought was also used as an Offering to the Lord. Thus it was for that this place was renowned as :Sowthadka which is derived from the word sowthe meanly cucumber in kannada.

Specialties:

According to temple authorities, of the many sevas offered at the temple, the most popular one is the avalakki panchakajjaya seva (a delicious mixture of beaten rice, jiggery, til, coconut, honey and banana) performed on a regular basis. 

1. Entrance to temple, Ganapathi is visible from everywhere as sits in Open. (Bayilu) 

2. Avalakki Seva to Ganapathi.

More details- ಸೌತಡ್ಕಶ್ರೀ ಮಹಾಗಣಪತಿ ದೇವಸ್ಥಾನ - Shivalli Brahmins

3. Ujire - Nada Taluk from Dharmasthala - Surya Temple Ujire – Shri Sadashiva Rudra Temple

* Started from Southadka around 11AM & reached around 12PM (1hr - 28Kms)

Shree Sadashiva Rudra Surya Temple, located in Nada village near Ujire, Karnataka, is a renowned 13th-century spiritual site dedicated to Lord Shiva. It is widely celebrated for its sacred grove, known as the Harake Bana (often associated with Rudra Bana or Mannina Harake Bana), where thousands of clay models are left by devotees as tokens of answered prayers.

Shri Sadashiva Rudra                Rudra Bana (Harake Bana - Place where offerings given as clay toys)

The Significance of Harake Bana (Rudra Bana)

The temple's defining feature is the Harake Bana (Wish Forest). Devotees visit this sacred grove to make a unique eco-friendly vow called Mannina Harake:

• The Custom: When a devotee makes a wish, they promise to offer a clay figurine representing their desire. If they wish for a child, they offer a clay cradle; if they pray for a house or car, they offer miniature clay houses or automobiles.
  
• The Ritual: Once the wish is fulfilled, the devotee returns to the temple with the specific clay model, along with a coconut and rice.
• The Grove: After being accepted by the priest, these clay sculptures are placed in the Harake Bana. Over the years, this has created a striking and vast collection of thousands of multi-shaped clay models under the forest canopy.

Name "Surya"- Origin & Legends

• The Name "Surya": Folklore dictates that centuries ago, a local woman was cutting grass when her sickle struck a stone, causing blood to ooze out. Terrified, she frantically called out to her son, shouting "Sureya". The area eventually came to be known as Surya. 
• The Lingams: At the heart of the grove, you can witness two self-manifested (Swayambhu) stone lingams sitting adjacent to one another. Legend says Lord Shiva and Goddess Parvati appeared here to a meditating sage and transformed into these permanent stones

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4. Giripriya Arnady - Spouse Collegue's Farmhouse @ Nada.

Giripriya-Arnady - Google Maps

From Southadka, reached Surya Temple and after the offering there visited to my Spouse (Divya's) Collegue Farmhouse 3-4 kms from there reached by around 1:00 PM , a experience which cannot forget and hence blogging here.

Farm house is between a 6 acre farm of Arecanuts (Adike), Coconut (Thengu) in the lap of mother nature with a Stream working as a fence to their farm and a beautiful high rise Mountain hill looks like a small linga, called "Gaidaikallu" on which Tipu Sultan seems to have built a fort in memory of his mother "Jamalabee" a "Jamalaabad Fort". More info: Jamalabad - Wikipedia

Warm welcome from all the members of the family were so happy with their enthusiasm and true hospitality. We were served a nice Malenadu oota (meal with local flavours & veggies from backyard) and lots of things to discuss like was  mused to visit their farm immediately after lunch. Did not waste a minute for a Farm visit, welcomed by a Gir cow and its calf followed by a tour of farm starting with a Gobur Gas Plant,  Farm with Arecanut Plants, Coconut plants, farm workers were adding farm manure to the plants nice to see motorised equipments being used to move it up & down the slope. Farm was interspersed with Pepper plants, Jakayi Plants (Nutmeg), Gandhari Menasu (Bird eye chilli) plants, etc.

Also inbetween in some places they had veggies grown for house hold purpose like Ridge Gaurd (Hirekayi), Snake gaurd(Padavala Kayi), Kumbala kayi(Pumpkins), Mullu Southe (Kind of Cucumber), Nimbe (Lemon), Kokum Shrubs (Kind of sour fruit used in Kokan areas, also substitutes tamarind), etc.

Also on the tour had Kennel for 2 farm dogs (one of them called Blackie), quite ferocious on the new entrants on the farm & keep a sound check on the territory. 

Followed by this had some nice chit chat on the red oxide Padasale (means a covered porch, veranda, or an outer structure attached to a building) outside the house my favouite part of the house, cold breeze was flowing across the place and having nice time over the chat. And then they suggested we could visit the stream nearby , i just springed into action with my daughter and her newly made friend, grand daughter of house (Kshmathmi) who showed us around to the stream & also joined us. Had a nice meditative time in the water stream, allowing the stream massage me all around. Water bodies like these are always my favorite and this place was so apt just beside the hill on a nice stream with no much hustle bustle around, thanks to mother nature for having created such a spot.

Had a nice cup of tea/coffee after back from the stream with the house members and time just flied.

Actually wanted to take a snap with all the members of the house (somehow forgot in all the merry) such sweet people always remember their hospitality & the serenity of the location.

1. Snap of my car in front of Traditional House.

2. Google picture of the view from the Farm looking at Gadaikallu Mountain  and Stream flowing.

3. Snap of the Farm Areacanut trees in background of Peacock Flower /Rajamalli.

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Parva - A Analysis

 Parva

 A novel by S L Bhyrappa based on Mahabharatha Epic.

Places researched by the Author for the collation of the Novel Parva around 1960's - late 70's.

Maps Link

Region	Place	Significance
West	Dwaraka (Gujarat)	Krishna’s city, submerged ruins
Northwest	Aravalli Ranges (Rajasthan)	Terrain exploration
North	Kurukshetra (Haryana)	Battlefield of Mahabharata
	Hastinapur (Uttar Pradesh)	Capital of the Kuru kingdom
	Mathura (Uttar Pradesh)	Krishna’s birthplace
	Delhi	Political center of ancient Aryavarta
	Barnava (Uttar Pradesh)	Site of Lakshagriha (House of Lac)
	Chakranagara	Historical reference in the epic
East	Rajgir (Bihar)	Ancient capital, spiritual center
Central-North	Viratanagar (Rajasthan)	Pandavas’ incognito exile
North	Himalayan Region (Uttarakhand)	Polyandry-practicing villages, Pandukeshwar, Badrinath, Joshimath

Characters and their age in the Novel Purva as per Author S L Bhyrappa.

S.No.	Name	Approx. Age	Gender	Description
1	Bhishma	120	Male	Patriarch of the Kuru dynasty; celibate warrior and moral authority.
2	Chitra (maid)	95	Female	Former palace maid; witness to multiple generations.
3	Sakuni	85	Male	Gandhari’s brother; cunning strategist behind the dice game.
4	Ugrasena	85	Male	Former king of Mathura; father of Kamsa.
5	Salya	84	Male	King of Madra; uncle of Nakula and Sahadeva.
6	Shalya	84	Male	King of Madra; joins Kauravas despite being uncle to Pandavas.
7	Dhritarashtra	80	Male	Blind king of Hastinapura; father of Duryodhana.
8	Balarama	80	Male	Elder brother of Krishna; traditionalist and strong.
9	Devaki	80	Female	Wife of Vasudeva; mother of Krishna; gentle and loving.
10	Gandhari	75	Female	Wife of Dhritarashtra; blindfolded herself for life.
11	Vidura	70	Male	Wise counselor; son of Vyasa and a maid.
12	Kripacharya	70	Male	Royal priest and warrior; survivor of the war.
13	Drona	70	Male	Teacher of the Pandavas and Kauravas.
14	Parasara	70	Male	Sage; father of Vyasa; devoted to Vedic scholarship.
15	Krishna Dvaipayana (Vyasa)	70	Male	Sage and compiler of the Mahabharata; son of Parasara.
16	Karna	65	Male	Son of Kunti and Surya; loyal to Duryodhana.
17	Kunti (Pritha)	60	Female	Mother of the Pandavas; central narrator.
18	Homadatta	60	Male	Priest and advisor; involved in rituals and diplomacy.
19	Bhoori	60	Male	Warrior; known for his humor and battlefield presence.
20	Kritavarma	60	Male	Yadava warrior; ally of Kauravas.
21	Sudakshina	60	Male	King of Kamboja; fights for Kauravas.
22	Ashwatthama	55	Male	Son of Drona; fierce and impulsive warrior.
23	Ashwatthama	55	Male	Son of Drona; fierce and impulsive warrior.
24	Yudhishthira	53	Male	Eldest Pandava; son of Yama; righteous.
25	Bhima	52	Male	Second Pandava; son of Vayu; physically powerful.
26	Duryodhana	52	Male	Eldest Kaurava; ambitious and proud.
27	Dussasana	50	Male	Duryodhana’s brother; cruel to Draupadi.
28	Arjuna	50	Male	Third Pandava; son of Indra;
29	Yuyutsu	50	Male	Son of Dhritarashtra and a maid; joins Pandavas.
30	Vrisha	50	Male	Stranger at Shuka’s funeral; possibly a scholar.
31	Vishakhe	40	Female	Servant-maid; mother of Yuyutsu.
32	Dussale	40	Female	Daughter of Dhritarashtra and Gandhari.
33	Bhanumati	40	Female	Wife of Duryodhana; appears in post-war scenes.
34	Urvashi	30	Female	Celestial courtesan; interacts with Arjuna.
35	Prativindhya	30	Male	Eldest son of Draupadi; distant from Abhimanyu.
36	Susrnite	30	Female	Servant attending Gandhari and Dhritarashtra.
37	Shatrunjaya	30	Male	Warrior; part of Kaurava formation.
38	Chitrabana	30	Male	Warrior; part of Kaurava formation.
39	Durmukha	30	Male	One of Gandhari’s sons; killed in war.
40	Durmarshana	30	Male	One of Gandhari’s sons; killed in war.
41	Dussaha	30	Male	One of Gandhari’s sons; killed in war.
42	Durmada	30	Male	One of Gandhari’s sons; killed in war.
43	Srutasena	20	Male	Youngest son of Draupadi; not close to Abhimanyu.
44	Abhimanyu	16	Male	Son of Arjuna and Subhadra; valiant warrior.
45	Uttara	16	Female	Wife of Abhimanyu; daughter of King Virata.

Summary of Major Events in Parva

1. Cultural and Historical Framing

• The novel opens with a symbolic reference to ancient Indian traditions, including a sculpture of Queen Maya’s dream, setting the tone for a story deeply rooted in history, mythology, and cultural memory.

2. King Salya and the Madra Clan

• King Salya, his son Rukmaratha, and granddaughter Hiranyavati represent the clash between tradition and modernity, especially around marriage customs (bride-price vs. Svayamvara).
• The looming Kurukshetra war influences personal decisions, including marriage alliances and political loyalties.

3. Debates on Niyoga and Lineage

• The novel explores the practice of Niyoga (procreation through a designated person) and its implications on legitimacy, morality, and Dharma.
• Characters like Kunti and Gandhari reflect on the social stigma and spiritual weight of such practices.

4. Kunti’s Personal Journey

• Kunti’s narrative is deeply introspective, revealing her emotional trauma, marriage to Pandu, and the birth of the Pandavas through divine intervention.
• Her reflections on womanhood, duty, and motherhood are central to the novel’s emotional core.

5. Bhima and the Rakshasa Connection

• Bhima’s relationship with Hidimbe and their son Ghatotkacha adds a layer of cultural integration and emotional complexity.
• His strength and loyalty are contrasted with his inner vulnerability and love for Draupadi.

6. Draupadi’s Perspective

• Draupadi’s voice is powerful and reflective, especially on polyandry, honor, and her relationship with each Pandava.
• Her emotional depth and resilience are highlighted through her suffering and strength.

7. Krishna’s Strategy and Migration

• Krishna’s decision to migrate to Dwaraka and his diplomatic maneuvers reflect the political intelligence behind the Pandava cause.
• His role as a divine strategist is pivotal in shaping the war’s outcome.

8. War Preparations and Moral Dilemmas

• The novel captures the logistics, alliances, and emotional toll of preparing for war.
• Characters like Salya, Duryodhana, and Karna face conflicting loyalties and ethical choices.

9. The Kurukshetra War

• Though not described in epic battle detail, the war’s psychological and moral consequences are deeply explored.
• The deaths of Abhimanyu, Karna, and Duryodhana, and Ashwatthama’s revenge, mark the tragic climax.

10. Aftermath and Reflection

• The novel ends with grief, introspection, and philosophical closure.
• Themes of Dharma, justice, and the cost of war are revisited through the eyes of survivors like Yudhishthira, Kunti, and Gandhari.

List of Niyoga's mentioned in Parva.

Both generations of Kuru & Pandvas are reffered to as Niyoga, though generally Pandavas are considered born of Boons. Also Vyaya & his Grandfather Vasishta also had participated in Niyoga's to royal families when in need.

#	Participants	Child Born	Context
1	Ambika (with Vyasa)	Dhritarashtra	Arranged by Satyavati after Vichitravirya’s death.
2	Ambalika (with Vyasa)	Pandu	Second Niyoga to continue the Kuru lineage.
3	Unnamed maid (with Vyasa)	Vidura	Third Niyoga after Ambika and Ambalika refused further union.
4	Kunti (with Yama)	Yudhishthira	With Pandu’s consent, to preserve lineage.
5	Kunti (with Vayu)	Bhima	Second divine Niyoga.
6	Kunti (with Indra)	Arjuna	Third divine Niyoga.
7	Madri (with Ashwini twins)	Nakula and Sahadeva	Twin sons born through Niyoga.
8	Kunti (before marriage) (with Surya)	Karna	Though not formal Niyoga, it was a divine conception via Durvasa’s boon.
9	King Kalmashapada’s wife (with Sage Vasishta)	Unnamed son	A classical example of royal Niyoga from earlier generations.

Clans, Contributions, and Leaders in Parva

S.No.	Clan / Community	Contribution to War	Leader(s)
1	Kuru	Central to the war; split between Pandavas and Kauravas	Dhritarashtra, Yudhishthira, Duryodhana
2	Panchala	Strong ally of Pandavas	Drupada, Dhrishtadyumna, Shikhandi
3	Yadava (Vrishni, Bhoja, Andhaka, Shini)	Split: Krishna and Satyaki supported Pandavas; Kritavarma supported Kauravas	Krishna, Satyaki, Kritavarma
4	Madra	Initially neutral; later joined Kauravas	Salya
5	Rakshasa	Supported Pandavas through Ghatotkacha	Ghatotkacha (son of Bhima and Hidimbe)
6	Magadha	Supported Pandavas	King Jarasandha (killed earlier), later Sahadeva (Magadhan prince)
7	Kekaya	Supported Pandavas	Five Kekaya brothers
8	Chedi	Supported Pandavas	Shishupala (killed by Krishna), later Dhrishtaketu
9	Matsya	Gave refuge to Pandavas during exile; supported them in war	King Virata, Uttara, Shankha
10	Gandhara	Supported Kauravas	Shakuni
11	Trigarta	Supported Kauravas	Susharma
12	Kamboja	Supported Kauravas	Sudakshina
13	Bahlika	Supported Kauravas	Bahlika (elder brother of Shantanu)
14	Abhira	Minor allies; supported Yadavas	Local chieftains
15	Naga	Mixed; some supported Pandavas, others Kauravas	Ulupi (Arjuna’s wife), Takshaka
16	Suta	Charioteers and storytellers; Karna’s foster clan	Adhiratha (Karna’s foster father)

Background of above analysis.

Above Analysis was provoked by the Drama Parva by Praksh Belwadi & team was a visual treat to the eyes with most ot the above aspects captured in the rendition of the Drama @ Chowdaiah Memorial Hall on 12th Jul 2025.